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TRIBAL
FEST™ 12: “The
Year of the Unicorn”
CLASS
SCHEDULE for SATURDAY, MAY 16, 2012
*
FAIRFIELD INN! NEW this
year! Classes at your hotel! (1101
Gravenstein Hwy. South, Sebastopol 95472) This is a new idea and
the classes held here are very special. We’ve worked with the teachers
closely on this to find offerings that will benefit you the most
in this very intimate, one-on-one teaching and learning experience.
Only 14 lucky dancers will get to take these classes, so don’t wait
to sign up. Do double-check your Tribal Fest™ site classes to make
sure you allow time to get to and from The Inn and back to Tribal
Fest™, and that none of your classes overlap. There are no mirrors
and the floor is carpeted. Here are today’s Fairfield Inn offerings:
10:30
a.m.-12:30 p.m.
Teacher:
Donna Mejia
Class
Title: Digital
Diasporas and Transnational Dance Communities: Examining the Formation
of Identity and Collective Cultural Memory in the Age of the
Internet
Description: The Internet has grown to become supra-national in its scope
and influence, eluding government regulation and attempts to control
the norms of usage. The Digital Diaspora, to which Tribal Fusion
belongs, is a self-selecting, self-regulating, and transnational
community. Tribal Fusion participants and enthusiasts deliberately
search out inspirations and cultural influences beyond the historical
boundaries or imposed political borders of their home culture. As
a community, they formulate a fast-moving global exchange of music,
dance and expressive artistry that has a distinctly pluralistic
approach to art-making.
How has the Internet changed how humans galvanize personal
identity and collective cultural meaning in traditions such as dance?
How has Internet Technology transformed and impacted the way humans
formulate individual identity, collective cultural values, and the
expression of meaningful traditions such as dance? How has Internet
usage transformed aesthetic expectations amongst dance audiences
and spectators? How has the Digital Diaspora affected thresholds
of cultural tolerance and discourse between dance participants?
How has the immediacy and abundance of Internet video modified the
agency individuals employ in approaching unfamiliar movement traditions?
How have Tribal Fusion community members normalized online/real-world
behaviors that might be perceived as collective desensitization
or culturally disruptive to future aspirants? How is the global
popularity of Tribal Fusion viewed and/or manifested in Arab cultures?
These questions will be examined with surprising and often amusing
insights about our global citizenship.
Instructor
Bio: Donna Mejia is a choreographer, lecturer,
teacher, administrator, and performer specializing in contemporary
dance, traditions of the African and Arab Diaspora, and emerging
fusion traditions in Transnational Electronica. She is the
first Tribal Fusion dancer to be awarded a full-time collegiate
appointment, and developed the first history and theory course in
transnational dance. For 10 years she was a faculty member
at Colorado College and Director of the Colorado College International
Summer Dance Festival. For twelve years she served as managing
director of the award-winning Harambee African Dance Ensemble of
CU-Boulder. With Harambee she was awarded the prestigious El Pomar
Foundation grant, was featured in the March 1996 issue of Dance
Magazine, performed for President Bill Clinton and Nobel Laureate
Archbishop Desmond Tutu, and was hailed as the “Best of Boulder”
for 3 years running.
Donna is an authorized instructor of Brazilian Silvestre Modern
Dance Technique and is a primary person assisting in codifying this
esoteric study of dance and the body after 20 years of practice.
Donna was the Guest Artist in Residence for Smith College Dance
2006 through 2009, and has been awarded extended residencies at
the Naropa Institute, Mt. Holyoke College, Hampshire College, University
of Northern Colorado, Taipei National University of the Arts, Bucknell
University, Colorado State University, EarthDance, Jacob’s Pillow
International Dance Festival and the Bates International Dance Festival.
Donna achieved honors marks in the completion her Master of Fine
Arts degree on full fellowship (which she will celebrate by participating
at Tribal Fest 2012). She is director of the Sovereign Collective,
a social action and performance ensemble. Additionally, she consults
for publishers, theatrical productions, community organizations
and nonprofits; is writing articles based on her research and teachings
in the evolving field of identity/collective memory in the digital
diaspora, ethics/integrity in global dance culture; and the deconstruction
of the femme fatale caricature in dance. Her choreographic commissions
and performances continue to generate outstanding critical reviews
from print and digital press.
Skill
Level: Open to All
What
to Bring: Notebook
What
to Wear: Anything you like, this is an interactive lecture
class
10:30
a.m.-12:30 p.m.
Teacher:
Deb Rubin
Class
Title: Dance Therapeutics: Low Back, Hips & Pelvic/Leg
Relationship
Description:
Drawing from Yoga Therapy, Traditional Thai Yoga Massage,
Feldenkrais and Deb’s personal “stash” from 15 years working in
the field of mind-body medicine, this workshop will focus on therapeutics,
proper alignment, injury prevention and self-care for the lower
body-a necessary tool in every dancer’s repertoire. A
regular practice of this material helps build deep somatic awareness
and control necessary for any tribal dancer. Special focus will
be given to the lowest low belly, low back, hip openers and the
pelvic/leg relationship that is integral for all traveling moves.
A new daily practice sequence will be shared. Time allowed at the
end for Q&A and hot topics in your community.
Instructor Bio: At the root of it all, Deb Rubin just really, really likes
to dance, and will forever consider herself a student on this path.
She is extremely grateful to her teachers and inspirations, who
have paved the way, encouraged her growth, and helped awaken a sense
of possibility, artistry, tribe, personal power, and potential in
both her dancing and her life. At the end of the day, that is what
she holds most dear about this journey. Deb is very honored to be
teaching again at Tribal Fest 12, to have the opportunity to gather
with other dancers in our global tribe and share her passion, depth,
experiences, and inquiry of this evolving art form from her
unique, somatic perspective.
One of the internationally-acclaimed tribal fusion belly
dance artists coming out of the San Francisco Bay Area, Deb is honored
to have shared the stage as a guest artist with some of her biggest
musical and dance inspirations: Balkan Beat Box, Beats Antique,
Brass Menagerie Balkan Brass Band, EOTO, Lynx&Janover, David
Starfire, Vibesquad, Zilla, Fishtank Ensemble, Hamsa Lila, and Urban
Tribal Dance Co. She plays with the juxtaposition of ancient and
modern, vintage and contemporary, and how to create a tension of
opposites in her dancing. Currently, Deb teaches and performs around
the globe, sharing her unique stylization and yogic perspective
of the dance.
Her solid foundation of Tribal Fusion
was seeded through her 5 years as a member and collaborating choreographer
with Ultra Gypsy Belly Dance Theater, and as a regular sub for Jill
Parker's classes (until 2007), who is known as the Mama of Modern
Tribal Fusion. Deb is extremely influenced by her long-time teacher
and major inspiration on this path, Rachel Brice, with whom she
began studying in 2003, was honored to assist at Tribal Massive,
2008, and with whom she continues to study. Deb’s dance is also
heavily influenced by her long-term, extensive studies with Mardi
Love, Zoe Jakes, Heather Stants, Suhaila Salimpour, and her continued
learnings from Cera Byer, Aubre Hill, Kami Liddle, Mira Betz, Amy
Sigil, Carolena Nericcio, and Jamila Salimpour.
A holistic health counselor, somatic educator,
yoga teacher, and integrative bodyworker, Deb is also the founder
of SattyaBody Women's Health. She teaches workshops and retreats
around the globe fusing women's health and empowerment with yoga,
tribal fusion belly dance, nature/sustainability, and creative expression.
She is also the creatrix of SF Mecca Immersion, the world's premiere
retreat intensive into the heart and soul of San Francisco Tribal.
(www.sfmeccaimmersion.com)
As a massage therapist and Yoga teacher
for the past 12 years, Deb specializes in injury rehab for dancers
and women's health. She is greatly influenced by her studies of
Traditional Thai Yoga Massage in the hill tribes of Northern Thailand
under the lineage of Asokananada, her vision quest experiences in
the Northern California desert, and her Yoga teacher trainings with
Integrative Yoga Therapy and AcroYoga, and Yoga studies with Darshana
Weil, Shiva Rae, and Gary Kraftsow. She is currently working on
an upcoming DVD of her dance therapeutics material.
Deb has a BA in pre-med and psychology
from Princeton University, and an MA in Holistic Health Education
from JFK University, with an emphasis on Mind-Body Medicine and
Somatic Psychology. You can find her writings published in Yoga
Journal Magazine and in FUSE magazine. Currently, Deb is continuing
her Yoga studies in the Viniyoga tradition with Gary Kraftsow, Mirka
Kraftsow, and Rachel Brice, immersing in her belly dance studies
with Rachel Brice, Suhaila Salimpour, Kami Liddle, and continuing
to study modern, ballet, contact improvisation, and tango in the
vibrant community of San Francisco. Deb was featured in FUSE
magazine's Winter 2011 edition as "The Best Kept Secret in
Tribal." For more on Deb, please visit: www.sattyabody.com
Skill
Level: Open to All
What
to Bring: Yoga mat, strap or scarf, water
What
to Wear: Comfy dance workout attire
3:30-5:30
p.m.
Teacher:
Asharah
Class
Title: Mindful Fusion: Belly Dance, Culture, and Conscience
Description: Join
Abigail Keyes, aka Asharah, for a thoughtful discussion about the
ethics of fusion and the responsibilities of the modern belly dancer. Of
course there will be handouts!
Topics
to be explored include:
- How
much should a belly dancer know about “traditional” belly dance
before fusing it with other forms?
- What
is orientalism and how does it apply to western belly dancers?
- What
does "traditional" mean for the fusion belly dancer?
- Where
does Tribal style fit and is studying only Tribal enough?
- Is
the term “fusion” used as an excuse for not learning belly dance
in its classic forms?
- Where
is the line between experimentation and disrespecting the culture
from which belly dance has come?
- If
it’s “all fusion” or if it’s “all belly dance”, why should we
care?
Instructor
Bio: Asharah is internationally
renowned for her strong technique, dramatic fusion of tribal and
cabaret belly dance, and concise teaching style. She has taught
sold-out workshops throughout the United States, Canada, and Europe;
her 2008 instructional DVD, Modern Tribal Bellydance with Asharah,
has received rave reviews from dancers of all levels all around
the world. She holds a B.A. from Princeton University in Near
Eastern Studies, a Level 2 certification in the Suhaila Salimpour
belly dance format, and a Level 1 certification in the Jamila Salimpour
belly dance format. After living on the East Coast for 12 years,
she has returned to her home state of California, and now resides
in the San Francisco Bay Area. As a student of Middle Eastern
history, she believes that every belly dancer must know the history
and culture of this dance, whether she is performing it in its traditional
forms or fusing it with others. Read her blog on dance, art, integrity,
and business at www.bdpaladin.com, and learn more about her upcoming events
at www.asharah.com.
Skill
Level: Open to All
What
to Bring: Notebook, an open mind, and respect for
your fellow dancers
What
to Wear: Anything you like, this is an interactive lecture
class
Now,
back to the Tribal FestTM site, 390
Morris Street!
*
YOUTH ANNEX, LARGE CLASSROOM – next
to the Main Hall - maximum capacity 36 dancers. Mirrors, sprung
bamboo dance floor. Bare feet or non-marking dance shoes only, please!

9:30
a.m.-11:30 a.m.
Teachers: Rachel Brice
Class
Title: Chop
Chop! Screamin' Fast Combos and Double-Time Drills: NEW COMBOS JUST
FOR TRIBAL FEST 12!
Description: In this class we'll play with
a few up-tempo combinations that Rachel's worked up just for Tribal
Fest 12. The emphasis will be on precision, timing, and keeping
posture while pushing beyond your perceived limits in a supportive
and fun environment. All new material for your enjoyment!
Instructor
Bio: Rachel Brice first fell in love with Belly Dance while
watching John Compton's famous Hahbi'Ru at the Northern California
Renaissance Faire. She began classes immediately.
10 years later she relocated to acquire a Bachelor's Degree
in Dance Ethnology from San Francisco State. While in the Bay Area
she studied with Jill Parker, the creator of Tribal Fusion, Carolena
Nericcio, the creator of American Tribal Style, and Suhaila Salimpour,
daughter of the legendary Jamila Salimpour and creator of the equally
legendary Salimpour Format.
In addition to performing and teaching internationally, Rachel
studies Viniyoga with Gary Kraftsow, and co-directs The Indigo Belly
Dance Company with Miss Mardi Love and Zoe Jakes. 2007 marked The
Indigo's first self-produced, full-length show Le Serpent Rouge,
which sparked an old-timey revolution. Rachel lives in the Pacific
Northwest.
Skill
Level: Don't worry, only one
year of belly dance experience required, but it should be a challenge
for any level.
What
to Wear: Comfy dance workout wear
What to Bring: Please bring finger cymbals, a water bottle, and a small towel.
11:45
a.m.-1:45 p.m.
Teacher:
Therese Wyatt
Class
Title: New BlackSheep Combos!!! Working in Trios-
Inspired by the Unicorn
Description: We will examine 3 new BlackSheep Combinations
along with working in a trio and changing leads. Even if you
and your troupe mates aren't familiar with the BSBD ATS vocabulary,
these moves will get your troupe changing leaders and formations
with ease! Let's not forget why Kajira named us BlackSheep-
we will be using our left hip, giving verbal cues and taking the
lead from 3 different positions. There won't be time
for a cool down, we will be dancing up to the last minute. I will
have hand outs so you don't need to stop and take notes. Yallah-
Be there!
Instructor
Bio: Therese has been teaching for 22 years total. She
taught as a Master SCUBA Diver Trainer for 15 years and certified
over 100 students in various diving specialties such as Deep Water,
Night Diving, Cold water Dry-Suit Diving, Medic First Aid, Photography,
Enriched Air Diving, Rescue Diving, etc.. She started Oriental Dance
in 1999 and has never looked back.
Attending multiple seminars every year, she fell in love with ATS.
Finding no one offering Tribal in her community she started researching
and studying several different formats.
She decided Kajira Djoumahna’s was the best fit because of the perfect
balance in the use of hips, directions and stage. After completing
her Level 1 and 2 Certification with Kajira she was invited to be
a member BlackSheep BellyDance and participate with her sister Sheep
as a dancer in Kajira’s 3 new Instructional DVDs.
Therese is the founder of Daughters of The Dance in Springfield
Illinois and is the first Satellite School in Illinois for BlackSheep
BellyDance Synchronized Group Improvisation. Among many performances
Therese has appeared in the State Journal Register, was featured
on the cover of Illinois Times and has performed for the musical
production Kismet. The Daughters perform regularly and are known
for the joy and professionalism they bring to The Dance.
Therese can be contacted at: Therese@DaughtersofTheDance.com
www.daughtersofthedance.com
Skill
Level: Some ATS, SGI and/or ITS experience helpful
What
to Bring: Water, small towel
What
to Wear: Comfy dance or ATS attire
2:00-4:00
p.m.
Teacher:
Suhaila Salimpour
Class
Title: Ismaouni Choreography
Description:
Suhaila's
Ismaouni ("Listen to Me") choreography is a fresh take
on 1970's style choreography with finger cymbals.
Based on the Jamila Salimpour format, this Folkloric Fusion
choreography is "ooey gooey" with lots of juicy and percussive
elements. The rhythm layering between the cymbals and movements
is challenging, but the result is dynamic!
Music available on the "Suhaila's Supreme Selections:
The
Art of Bellydance" CD.
Instructor
Bio: Suhaila Salimpour
is a highly acclaimed performer, teacher, and choreographer of belly
dance. Schooled from an early age in jazz, tap and ballet, Suhaila
began integrating her extensive classical training with the Middle
Eastern dance passed on by her mother, Jamila Salimpour. The
result was a true artistic breakthrough: a revolutionary foundational
technique that has brought the art of Belly Dance to a new level.
In the U.S., Suhaila appeared on television series such as Fame
and Max Headroom and choreographed various music videos. For six
years, she was the featured dancer at Byblos, a prestigious Arabic
nightclub in Los Angeles, where she shared the stage with the most
renowned singers of the Middle East. Miles Copeland, owner of IRS
records, prominently featured Suhaila in his 2005 documentary, American
Bellydancer. Comedian Margaret Cho is currently producing and directing
a documentary about Suhaila, and producing Suhaila's one-woman show.
Suhaila is the artistic director and producer of Sheherezade, an
acclaimed performing arts spectacle that mixes belly dance with
the synchronization of Riverdance, the pounding rhythms of Stomp
and the aerial artistry of Cirque du Soleil. For Sheherezade, Suhaila
was nominated for an Isadora Duncan Dance Award ("Izzie")-making
her the first performer in the belly dance genre to receive this
prestigious nomination.
Today, Suhaila creates instructional and performance videos for
all dance levels, as well as fully-orchestrated Middle Eastern dance
musicals and CD recordings of the latest percussion artists. In
addition to touring across the globe, Suhaila maintains her second-generation
family business, the Suhaila Salimpour School of Belly Dance, in
Berkeley, California. Suhaila has developed and implemented the
first-available certification program in Middle Eastern dance. Suhaila
looks forward to expanding the audience for and appreciation of
traditional Middle Eastern dance in a distinctly contemporary style.
Skill
Level: Open, but some bellydance experience is helpful
What
to Bring: Finger cymbals, small towel, water
What
to Wear: Comfy dance workout attire
4:15-6:15
p.m.
Teacher:
Mimi Fontana with Manhattan Tribal
Class
Title: The “ATS Meets Turkish 9/8 Rhythm Project”
Description: This innovative workshop combines the beauty of Classic ATS Vocabulary
in the FatChance Style with the Turkish 9/8 Finger Cymbal Pattern. First
we’ll start with the zills, practicing the basic pattern and getting
comfortable with playing along to music, exploring which musical
tonalities to use and variations on how to play the 9/8 pattern.
Delving further in, we’ll experiment with which moves work best
to enable each dancer to effectively and dynamically add the accented
note of the 9/8 Rhythm. We’ll dance in formations with ATS combinations
to drill how to zill and dance to this rhythm all the while maintaining
the character and integrity of your ATS movement in an improvised
format.
Please have knowledge of these ATS Movements: Arabic Basic,
Egyptian Basic, Turkish Basic, Shimmy Step, Choo Choo
Instructor
Bio: Mimi Fontana is a driving force in the rapid growth
of New York City’s Tribal Belly Dance community. After years in
competitive ice skating and a decade as a professional touring and
studio musician (bass guitar), Mimi Fontana turned her prodigious
artistic attention toward ethnic dance – primarily American Tribal
Style (ATS) belly dance.
In 2006, she founded Manhattan Tribal, New York City's first ATS
dance company. Studying with Carolena Nericcio, creator of ATS and
Director of FatChanceBellyDance (FCBD) in San Francisco, Mimi received
multiple certifications in the FCBD format, and was granted Sister
Studio status in 2008.
In addition to regularly teaching multiple ATS classes in
NYC, and the workshops she is invited to conduct nationally and
overseas, Mimi is an AFAA group fitness instructor specializing
in Pilates, Boot Camp and Older Adult Movement.
While preserving ATS belly dance in its true form, Mimi
and Manhattan Tribal add their own brand of NYC flavor, infusing
their performances with high energy and exciting combinations that
have become their signature style. In 2011, World Dance New
York released “Tribal Revival: American Tribal Style Bellydance
Variations and Combinations with Mimi Fontana”. Mimi's goal is to
spread awareness of the beauty and complexity of American Tribal
Style Belly Dance.
For more information please visit: www.ManhattanTribal.com
YouTube
link: http://www.youtube.com/watch?v=zelb0YShcU8
Skill
Level: Basic/Intermediate knowledge of using
finger cymbals, plus knowledge of the ATS steps mentioned above
What
to Bring: Finger Cymbals, water
What
to Wear: Full skirt or pantaloons & choli
or other comfortable dance attire
6:30-8:30
p.m.
Teacher:
Ariellah
Class
Title: Pathways to Fluidity
Description:
Taking our
dance to the next level involves many things, one of which I have
found over the years is fluidity, and not only fluidity of movement
which comes from muscle strength, but finding fluid pathways that
stem from arm work and foot work. I would like to explore these
pathways with you and aid the dancer in his/her quest to create
a passionate flow of movement that will elevate the dancer’s technique.
Instructor
Bio: Ariellah
is an international modern belly dance performer and instructor.
She has an extensive dance background that includes a 12-year strict
classical ballet training with the Royal Academy of Dance from London.
She has studied and performed belly dance since 2001, commencing
her training with Janine Ryle of Danse Mahgreb and as a founding
member of The Indigo with Rachel Brice. Most recently Ariellah began
training in classical Indian Odissi dance, studying in India at
the Shakti School of Dance. Her style infuses many genres of dance,
all with a modern dark flavour that is uniquely her own. She is
featured on the first of its kind "Gothic BellyDance"
DVD and also released her first instructional DVD, with plans for
volume two up and coming. www.ariellah.com
Skill Level: Intermediate and above skill level recommended
What
to Bring: Water
What
to Wear: Comfy dance workout attire
*
YOUTH ANNEX, SMALL CLASSROOM – next
to the Main Hall - maximum capacity 19 dancers. This is a very intimate
dance space for one-on-one learning! Mirrors, plastic tile dance
floor.
9:30-11:30
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Teacher:
Jill Parker
Class
Title: Liberation! Traveling Hip Movements for the Tribal
Fusion Belly Dancer AND Shimmies Demystified & Deconstructed!
Description:
In this classic
Jill Parker workshop, you will gain insight into her trendsetting
approach to belly dance. You will be asked to execute energetic
drills across the floor designed to bring awareness to control,
timing, and finesse. Jill's movement style is supple, articulate,
fluid, sensual and well-timed. With 20 plus years of teaching Jill
is masterful at building material sequentially, enabling students
access to accelerated learning. You'll find her workshop environment
insightful, challenging, supportive and most of all fun. Your traveling
hips will be stunning!
Earthy, fluid, percussive Shimmies are a distinguishing feature
of Tribal Fusion belly dance. Have you ever longed for a teacher
to help you truly understand and achieve the elusive, yet intoxicating,
perfectly timed shimmy? Lucky you, as Jill is infamous for her earthy
and elegant shimmies as well as her patient & masterful teaching
style! In this class you will participate in shimmy exercises designed
to help regulate your timing and get rid of the glitch in your hips
(and your mind). You will play with up tempo and down tempo shimmies,
¾ & 4/4, layering and many other exciting new variations. Jill
will help you achieve understanding and excellence!
Instructor
Bio: Jill Parker is
an award winning dancer and founder of the modern tribal fusion
belly dance movement.
She's an exceptional belly dance teacher with a gift for
demystifying this sensuous form, making its technique accessible
to new dancers, while offering tremendous insight for refinement
to advanced dancers. With over two decades of experience, she has
trained many of the top dancers in the genre.
Her deep love of this form shines through in her intoxicating
performances.
Jill is an original member of FatChanceBellyDance, founder
of Ultra Gypsy, and director of the Foxglove Sweethearts. She teaches
weekly classes in the San Francisco Bay Area and can be seen at
festivals, workshops, lectures, performances worldwide.
www.facebook.com/jillparkerbellydance
www.jillparkerbellydance.com
http://blogs.sfweekly.com/exhibitionist/2011/08/five_reasons_to_love_jill_park.php
Skill
Level: Open to All
What
to Bring: Water, a small towel
What
to Wear: Comfy dance workout wear
11:45
a.m.-1:45 p.m.
Teacher:
Grace Constantine
Class
Title: Story Belly
Description: In this
class you will learn to harness the fairy tale for your solo performance,
and learn to express deep emotion and fluid movement by living within
the story. Grace will impart some of her favorite original
creative concepts in her signature guided solo improv style, making
creativity in movement seem effortless.
After a yoga-style warm-up, you
will begin with the seed of an original fairy tale, and as that
story unfolds it will guide your unique solo improvisation. Be prepared
to get sweaty!
You will also discuss methods
for using Aristotle’s three-part plot structure to form your dance,
as well as Freytag’s five-part dramatic arc: exposition, rising
action, climax, falling action, and dénouement. Come away with the tools to visualize
and express elements of a story in bellydance, creating a performance
that is thrilling to watch, and can be used in any style of
performance. This class is useful for structuring performances with
improvisation or choreography.
We will begin and end with yoga-style
stretching and strengthening exercises, and written class handouts
will be provided.
Instructor
Bio: Grace Constantine is a guru of solo improvisational
bellydance. She is the founder, director, and lead dancer of Deviant
Dance Company, and maintains a thriving teaching practice at The
Lair, her private studio in Portland, OR. She has taught improv
bellydance workshops for ivy-league (Columbia University) and public
schools (Portland Public School District), and has performed with
countless wonderful musicians including Raquy & the Cavemen,
Light Rain, & Underscore Orkestra.
Grace won Zaghareet! Magazine's Golden Belly award
for Best Kept Secret in 2008. She is a founding member of Dreams
of Cleopatra, and a former member of Good Vibrations. She took her
first bellydance classes over twenty years ago, but found her first
home in 1996 while studying with Tatseena. Grace’s passion and stage
presence have enthralled audiences across the country. Her fluid
style is imbued with intricate, wild, and powerful storytelling.
Her solo dances are always improvised.
As an instructor, Grace does not teach formal choreography. She
draws out the very best in her students by helping them to explore
the emotional range of music with both mind & body. Grace provides
fun and accessible methods for dancing extemporaneously, and becoming
comfortable with interpreting music in the moment. Encouraging a
focus on form and musicality, she helps dancers to develop a dance
vocabulary that is natural and distinctive. The name Deviant Dance
comes from the notion that each dancer’s style must be different—deviating
from everyone else’s—for each dancer’s experience is unique.
Grace lives in Portland
with her adorable husband, a little black cat, a lizard named Trout,
and a lovely garden.
Her
website is: www.graceconstantine.com
and visit her on facebook at https://www.facebook.com/Constantine.Grace
Skill
Level: Suitable
for all levels, but some dance experience is helpful
What
to Bring: Water
& a yoga mat, notebook optional
What
to Wear:
Comfy dance clothes, we will get sweaty!
2:00-4:00
p.m.
Teacher:
Sera Solstice
Class
Title: Lunar Flow
Description: Access the depths of the body, and the
deep lineage of bellydance through movement. Lunar movement is focused
upon isolations and fluidity in direct relationship to expression,
and inner alignment. Meditation brings clear intention. Challenging
combinations develop grace and fluidity.
Also offered on Sunday is a complimentary class called “Solar Flare.”
Check it out!
Instructor
Bio: Sera seeks to open the doorway between
non-physical self, and the physical self via movement. She
seeks to expand consciousness through movement, and to use dance
as a method for inward journey, creating a marriage between the
physical and non-physical.
Sera has chosen Bellydance as her primary medium for movement because
it is the most inward dance she has discovered. Sera believes that
some movements of Bellydance open a doorway to an ancient lineage
of women and wisdom, whereby a dancer may connect if she is dancing
in a trance-state.
Sera has danced her way through two pregnancies (and other
life-changing circumstances) with support from this spiritual lineage,
and believes that her choreographies draw forth from this same source.
Sera has participated in American Fire Circle culture for
nearly 2 decades and has bellydanced her way through countless rituals
and
all-night drum-circles, and therein has developed her dance as a
sacred movement form.
Sera is most known for creating the East Coast Tribal style
of
Bellydance, characterized by Lunar and Solar movement categories,
which use extensive full-body movement, intense multi-layer hipwork
within pop'n lock elements, tied together by deep emotive power
and story-telling flow.
Sera is the founder and director of Solstice Studio: a Bellydance
Studio in New York City, with over 300 active participants using
Bellydance as a means for building self-empowerment, expression,
and creativity.
Sera is director/choreographer of the dance troupe Solstice Ensemble, and
has taught numerous workshops and performed throughout Europe, South
America, and Asia. Sera's Choreography has been described as "complex,
content-rich, sublime, haunting, psychedelic, technically superb,
at the forefront of evolution of bellydance as an art form."
Sera has created 5 full-length instructional DVDs on East
Coast
Tribal Bellydance, (produced by World Dance New York) including
1) East Coast Tribal, 2) Foundations of Bellydance 3) Solar Bellydance
4)
Lunar Bellydance, 5) Goddess Dance: Prenatal Bellydance and
Meditation, and is featured in the DVD series: Gothic Bellydance:
Revelations and Fantasy Bellydance: Mystery.
Sera was a full-time Sculptor upon discovery of
Bellydance, and has transferred from her medium of clay and metal
into the body moving through space. Although she challenges
dancers to find deeper expression in their movements, Sera is known
for her
hard-driving, highly technical classes. She believes one must
first
master their tool-set before putting it to use.
Sera is a former core member of 3 acclaimed dance companies: Bellyqueen,
The Silk Road Dance Company, and Raqs Sahara. Sera has the
blessing to be able to study with many excellent instructors of
our time. She credits the foundation of her technique, form,
and discipline was by means of her formal apprenticeship with Rachel
Kay Brookmire (of DC's Sahara Dance). More about Sera's projects
at: http://www.boldbellydance.com/
Skill
Level: Open, some bellydance experience helpful
What
to Bring: Water
What
to Wear: Comfy dance workout attire

4:15-6:15
p.m.
Teacher:
Kami Liddle
Class
Title: Gypsy Doodle Choreography
Description: Learn a playful, upbeat choreography
of Kami's. This piece includes lots of surprising elements from
turns, to traveling steps to gooey hip work and sharp locks.
Instructor
Bio: Kami has studied various dance styles
throughout her life, but found her true passion, Belly Dance, when
she was 18 years old. She began to study cabaret style belly dance
until she found FatChanceBellyDance and began to study their videos
religiously. Today Kami refers to her style as a modern fusion of
an ancient dance. As she began to perform as a soloist she began
to incorporate other styles into her ATS repertoire such as modern,
hip hop, jazz and Bhangra dance.
After earning her degree in Art with a Minor in Dance from the University
of Nevada, Reno in 2005, she decided to pursue her passion full
time and since then has performed and taught in over 20 countries.
Kami toured with the Bellydance Superstars for nearly 6 years
and was a contributing choreographer as well as the director
of the Tribal Superstars.
She is based out of San Francisco, CA and currently tours the world
as a solo artist and occasionally with tours with Beats Antique.
Skill
Level: Recommended for intermediate dancers
as basic movements will not be broken down.
What
to Bring: Water, small towel if desired
What
to Wear: Comfy dance workout attire
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